
Wednesday, 4 November 2009
Whats On Stage Theatregoer Awards 2010

Jessie Buckley - Musical Superhero

"I'd Do Anything runner-up Jessie Buckley, last seen in the West End in Trevor Nunn's production of A Little Night Music, has shown herself to be something of a musical superhero this week.
Twenty-year-old Buckley, who came second to Jodie Prenger in the BBC casting show, was called on at the very last minute to understudy an actress in the Whatsonstage.com-supportedPerfect Pitch new musicals showcase, currently running at Trafalgar Studios 2
According to Perfect Pitch producer Andy Barnes: “On Tuesday, Jessie stood in for Fiona Sinnott, who was struck down with suspected pneumonia. She had an hour and a half to look at the script before going on to play the role of Mairin in Dougal Irvine's In Touch.”
“We have no understudies due to the nature of what we do so we put a frantic call in yesterday morning and Jessie cancelled a singing lesson to come over and help us out. She did an amazing job and barely even needed the script she had with her!”
Buckley, whose fellow Nights Music cast member Kaisa Hammarlund who is also currently performing in a Pitch Perfect production 'From Up Here' this week, will be playing the role for the rest of the duration of the run."
Further information about 'In Touch' can be found here
Monday, 2 November 2009
A Little Less Ordinary

Last night saw Jessie take part in her first public performance since finishing her stint in the West End in the summer. The occasion was a night at the Apollo Theatre and featured a score of newly composed songs by Michael Bruce who is something of a prodigy in the world of musical composition and remarkably talented at the meagre age of 25 years old. Unfortunately I was not in attendance myself and not able to write a personal entry, I am therefore leaving it up to The Stage to give a run-down of last nights events. As and when (if) more reviews/photographs become available, they'll be up here.
http://www.thestage.co.uk/reviews/review.php/26098/michael-bruce-a-little-less-ordinary
"Two years ago, a young composer called Michael Bruce won the Stage-sponsored Notes for The Stage competition, as a result of which his entry, Children, was heard as part of the 2007 Christmas in New York concert at the West End’s Lyric Theatre. I should declare an interest here - I was part of the judging panel that made that choice. And now I’m relieved to be able to report that our faith in this exceptional talent was fully justified - but more importantly, so has the faith that the producers Neil Eckersley and Paul Spicer have invested in him, in every sense, in nurturing him to the next stage.
Although I’m tempted to echo the Blossom Dearie song and declare, “You wear too much puce, Bruce” in reference to the vivid purple suit he sports, he certainly stands out from the songwriters that are trying to make their mark in this crowded field.
He has a remarkable facility to change between different moods and melodies. That bodes well for someone who will need to harness his talent into creating evenings with plenty of both - but there’s also something immediate, fresh and contemporary about his musical sensibility too, that puts one in mind of a younger version of Jason Robert Brown.
And just like his American counterpart, he creates story songs that must be a treat to perform and duly attract high-calibre performers to do so. In fact, it has the slight problem of making his own vocal contributions harder to take - he’s not in the same league as some of those who are performing here. The ever-invaluable Julie Atherton provides a comic highlight with In a Disney Way, written especially for her, and reprises the hauntingly melodic Children with spellbinding emotion. Another comic bullseye comes from Emily Tierney’s hilarious rendition of Continental.
But if the comic numbers score particularly highly, there’s plenty to enjoy from the rest of a stellar line-up that also includes newcomer Phoebe Fildes (who won her own chance to be here by a YouTube competition), Finty Williams, Helena Blackman, Sarah Lark and Jessie Buckley, among others. The future of British musical theatre was being forged before our eyes and ears. It was a privilege to be there to witness it."
Monday, 27 July 2009
Closing comments on A Little Night Music
We have all seen the glittering praise from the press about A Little Night Music. However, it isn't the journalists and press who make up the audiences each night. Obviously as we know, Saturday night saw the final curtain call for the first-rate cast of the West End's most sophisticated, intelligent and wickedly funny shows. So, I thought it might be nice to post some of the comments from the punters who were lucky enough to revel A Little Night Music one last time. Forget the pomp, verboseness and cerebrality of the press critiques who like to talk in theatre jargon, here is what the paying public thought.Afterwards I did go to stage door, not that I was imposing on the cast, but they were genuinely more than happy to chat and sign the programme. Kaisa and Kelly both stopped and chatted for about 5 minutes each and they were genuinely dissapointed that the show was closing."
There was a great energy but definitely a last night feel. I think a lot of the audience had seen it before so there wasn't always the huge laughs that certain lines get when people see it the first time. Kaisa seemed to be the only person who managed to be bubbly and full of smiles to the end - but then she does have a more cheerful part than the others! Hannah seemed completely tortured to be singing Send in the Clowns for the last time, she almost had to snarl the lines towards the end. Alex was on top form as usual but I did see tears in his eyes a few times. Hannah and Alex really took their time building up to You Must Meet My Wife - that song remains my favourite bit in the show - his amazing singing and her hilarious reactions! Gabriel was very solid, like Kaisa, great performance. Every Day a Little Death was very emotional - both Jessie and Kelly shed a lot more tears than usual. The beautiful chorus were stunning as ever, I've really enjoyed them every time.
At the very end, the 2 other Frederikas (Holly was on last night) came on in costume to take a bow and the swings came on too. The whole cast looked very sad but then - a stroke of genius - people started throwing flowers on to the stage and it really lifted everyone and the cast all started picking up a few each and laughing and the audience loved it, it really brightened up a sad moment. There were a few curatin calls, more flower gathering and then Maureen said a few lines. She just explained who the 2 other girls were - she seemed to forget the swings! - and then just said it was such a shame "such an intelligent and lucid show" was closing."
